I’ve never been an opening-night gifts kind of girl, for several reasons.
1) You’re working so hard leading up to opening, there is little time for thinking up and assembling gifts/cards/inside jokes;
2) Opening, while exciting, is still smack in the middle of the job. So there is less sentimentality and fewer feelings of “OMG I’LL MISS YOU GUYS!!!” than on closing night.
3) Closing, being the end of your job, is also when you sometimes get tips. So I’m always potentially more excited for closing than opening. Not that tips usually happen here in this job. But, you know, they have a couple times. And that’s cool. But never on opening.
To be honest, I don’t think I’ve done any kind of full-cast gifts since…Recent Tragic Events in New York. For Sunlight (my first MTC show, you may recall) I gave the stage manager very specific in-joke gifts.** But since then, I just haven’t done anything for anyone. Bad PA?
Seagull was no exception to my “I totally didn’t do anything for opening” tradition. I got cards from a few people, which is super sweet, especially since as far as the cast goes, I met them last week. But while the actors were all sporting tiny airplane bottles of vodka and cognac – no one hooked me up! Bummer.
Opening is cool and all, but I mean…I never dress up for it (just wearing all blacks) and I duck in and out of the party to grab some hors d’oeuvres (pesto ravioli, chicken satay, lots of things on sticks, plus cheesecake and brownie bites, and of course the ever present red-or-white wine), but mostly it’s about doing work. Then it’s like 11:30 so I just want to go home. So I sneak out the side door and go. I’m much more likely to stick around for closing, especially if I’m not planning on being back there in 2 weeks for another job.
The ME did give me a book of crossword puzzles to work on backstage during the show, which was one of the most thoughtful opening night gifts. And everyone was super nice – even after I dropped and shattered two prop glasses in the lobby, drawing everyone’s attention and full silence. Thank God for whoever shouted “Opa!” first.
I heard of one (kind of generic, but cool) opening night gift for actors. You give them a pen, a highlighter, and a pencil, with a card:
To sign your contracts – may they be lucrative;
To highlight your lines – may they be plentiful;
To write down your blocking – may it be downstage center.
Cute, right? I’m curious about other people’s opening/closing night gift traditions…thoughts?
PS. The show went well (although the tally of broken things got out of hand: a belt, a brooch, a journal, a walking stick, the 2 glasses I broke…). The audience was a typical loving and supportive opening night audience. The cast was charming and friendly. At one point during the show the stage manager asked me to go check on one of the actors when she came offstage, because he had never seen her “shake like that before” during her emotional scene. The other PA and I were like, “Heath, we’re pretty sure she’s acting.” But she got a kick out of him checking on her. So yay, Seagull is open! And life will go back to normal-ish.
**My gift for the Sunlight stage manager was: an eraser (because she spent the entire rehearsal process trying to keep track of this one pencil she had that still had a tiny stub of an eraser); a chocolate truffle bar from Trader Joe’s (because she kept sneaking into the dressing room to steal bites from the actors); and a squeeze bottle of pickle relish (because one of the actors was constantly dropping the line “with great relish!” and we would wait for it every night of the run). LOL, by far the best show gift I have ever given.








